The end of the world is coming—again.
Apocalyptic prophecies are a recurring phenomenon in Christian history and in
Now 2012 is the pre-determined moment for the final curtain to fall.
While doom sayers have deep roots in
Tom Paine, for instance, called the American Revolution “the birthday of the world.” As the Constitutional Convention drew to a close in 1787, Ben Franklin was convinced that the image on the back of the moderator’s chair, depicting the sun upon the horizon, represented a dawning moment, not a dusk. Similarly, the Great Seal of the
Now comes the final era of the Sibyl’s song; The great order of the ages is born afresh. And now justice returns, honored rules return; now a new lineage is sent down from high heaven.
The motto captured the upbeat mood of that generation. How many would have thought independence worth fighting for, had they imagined a general cataclysm was imminent?
If films like “2012” and “The Day After Tomorrow” are any indication, the “world-is-coming-to-an-end” message will always draw a big audience. Global warming, AIDS, H1N1, shifting weather patterns and similar threats will be seized upon as evidence that all is lost. The task for our time will be to recapture the faith of the founders, not to abandon hope, but to take melting ice caps, nuclear proliferation, economic recession and all the rest as problems for human ingenuity to solve.
“Do not anticipate trouble,” advised the wise Mister Franklin, “or worry about what may never happen. Keep in the sunlight.” The alternative is to let worst case scenarios become self-fulfilling predictions.